THE DEFINITIVE GUIDE TO ALL YOGA STYLES: WHICH IS RIGHT FOR YOU?

There are so many styles of yoga out there!  Many are derivations of major lineages, many are recent creations, others are mergers.  Here is a post that attempts to shine light at what you may find out there in studios throughout the world.

I have used, among other books, all of these in the picture below, plus what I have in the I-Pad to provide the most value I can offer.  I hope you like it.

So much to read!

At the same time this is a post, not a book, so it might be recommended that you continue your own search, take some classes, and come up with your own decision on which path to follow.  In the end your own relationship with a teacher or a style is what counts. What resonates with you is the important part.

I will not concern myself with ancient history as that may sound irrelevant, however, if you are curious I can give you a one/two paragraph of the overall, very, VERY broad history of yoga:

The Vedas, Samkya, Patanjali, the Baghavad Gita and The Hatha Yoga Pradipika are perhaps the five mountain peaks in the histogram of yoga.  These are sacred texts that contain truths as realized by ancient sages.

There is mention of yoga in the Vedas. Samkhya was the first style of phislosophy to leave some clear tracks, Patanjali in his response to the spread of Buddhism compiled all knowledge he mastered and experienced into the Yoga Sutras (which contain very little mention of asanas or poses), the Gita looks at the yoga of action of being in the world but not of it, and the Hatha Yoga Pradipika explains in detail the daily practices of a yogi in a systematic way, including asanas, pranayama, etc.

All five philosophies/texts would take a life time to learn! let alone understand. So let’s get down to business:

TIRUMALAI KRISHNAMACHARYA

Last century the world was lucky enough to come accross a master yogi called Tirumalai Krishnamacharya.   At the age of 16, young Krishnamacharya had a dream with an ancestor of him about yoga, and he followed his heart and what he saw in the dream.  Read about the dream here. He went on to study with a guru for 7 years in Nepal and was told at the end to go out on the world and spread the word of yoga.

He did.

Krishnamacharya

While he was with his guru in the mountains he learned asanas and pranayama and studied the ancient texts, like the Yoga Sutras of Patanjali.

Krishnamacharya was a fierce teacher, feared even, by his early students, and “mellowed out” as his son tells us, as he grew older.  Yoga was his life and he took it  very seriously, with enormous dedication and discipline. We owe much of what yoga is today to him.  Here are 8 stories that show the kind of man he was.

Further reading on Krishnamacharya: See Grimmly’s articles on his translation of the Yoga Asana Galu (very interesting), or his books Yoga Makaranda (free here) and Yoga Rahasya.

He had 5 very prominent students, who were responsible for the propagation and popularization of yoga up to today, you will likely recognize the following styles (in bigger letters, smaller letters are for their watered-down or spin-offs derivations that we have in America):

ASHTANGA YOGA – K PATTABHI JOIS

Sri Krishna Pattabhi Jois was one of those five young students of Krishnamacharya in the 1930’s.  He then went on to create his own yoga institute -in Mysore, South India- and called the style: “Ashtanga Yoga”.  The term “ashtanga” means eight limbs, and comes from the Yoga Sutras of Patanjali, chapter two and is intended for people like me who cannot simply “get” the goal of yoga right away (example it is hard for me to just remain fully present without mind projections and therefore I need a system which is outlined in chapter two with the eight steps).

Madonna doing a pose from the
intermediate series

His style exploded in popularity in the 90s with celebrities like Madonna, Gwynette Paltrow and William Defoe practicing it and appearing in films to talk about it.

Ashtanga yoga is a very specific style.  It is practiced 6 times a week, avoiding Saturdays and the days of full and new moons  (and ladies holidays for women).  The practitioner arrives in what is called a “Mysore room” named after the birth place of the style, rolls out his or her mat and practices what he or she knows, up to where she can go.  The teacher will come around and adjust each one individually.  See: 21 things I wish someone told me before I started practicing Ashtanga Yoga

Sharath Jois (grandson of Jois) on the Sunday Intermediate
Led Class in Mysore, India

When a pose is “mastered” and I say mastered in quotes because they are really always a work-in-progress but can somehow get to a point where they are “stable”, then the teacher assigns a new pose.

Nobody in the world can authorize or certify a teacher to teach Ashtanga Yoga except the source, the Asthanga Yoga Research Institute in India, meaning that those courses offered with a “yoga alliance” registry opportunity do not qualify or count in the Ashtanga world.  A teacher of Ashtanga, authorized or not (he or she may be in the process, perhaps in his fourth or fifth trip to India) is usually someone highly trained.  Of course it is always good to be careful when selecting a teacher. Regardless of style. See how to select a good teacher.

Ashtanga Yoga is a practice that has the objective of focusing first on the asana practice, to sweat the body and purify it, and at the same time practice the norms or basic tenants to purify our lives, practice the yamas and niyamas.

Although physically challenging the goal is not really to get to the next pose but rather to go deeply within, to experience the now, to purify outer and inner life.

Why did I name this style first?  Because it is the one I practice and my heart is in it.  It has lineage and a long tradition, and it works for me!

If you are interested in visiting the “source” in Mysore, here is a post with all the information about how to travel to get the most out of the experience, how to prepare, when to go, what to bring etc.

For more on Ashtanga Yoga, see 32 Suggestions: How to Get Started with Ashtanga Yoga

DERIVATIONS



POWER YOGA 

Power Yoga is basically an exact copy of Ashtanga Yoga only a teacher always leads the class.  The system was designed by  Beryl Bender Birch who was struck when she saw a senior practitioner go through the series.  She decided to bring it to the United States and re-named it “Power Yoga” because, in her own words:

“Most people wouldn’t take a class called Ashtanga Yoga because they had no idea what it mean. Power Yoga, on the other hand, was something Americans could relate to an know that they’d get a good workout”

a Power Yoga Class

Maybe that is the biggest difference.  Power Yoga attempts to be a “workout”, but we must keep in mind that the goal of yoga is to “end the delusions of the mind, to become present, free of the monkey mind that jumps into the future or the past”.  Nevertheless, it is, of course, a good introduction to yoga if the instructor is good (as would always be the case)

This style can be found in many gyms as well as yoga studios in America.  For more on Power Yoga read this book.

JIVAMUKTI

Created in 1984 in New York City, Jivamukti offers a blend that seeks for the goal of yoga (profound peace, full presence and discrimination), not just the poses.  It is based on Ashtanga Yoga and adds elements of devotion, chanting, and reading of the main scriptures mentioned at the top.  David Life and Sharon Ganon are dedicated students who have travelled the world and taught for a long time.  That they have a style they own is interesting.  Read their wiki for more.

The style is not only based on Ashtanga but also contains elements of Vinyasa and even the Sivananda tradition.

Sharon and David, founders of Juivamukti

Their classes have different levels like Beginner Vinyasa or Open classes where they focus on different things depending on the week of the month. For example one week it could be emphasizing alignment, another week focusing on inversions and meditation, etc.

They also have a “fast-paced-get-in-shape- “Warrior” style of class designed for people on the go who only have one hour to focus on their practice.

Jivamukti has centers internationally here is their website.

IYENGAR

BKS Iyengar was the second of the five highly recognized students of Tirumalai Krishnamacharya, although by his own saying he only studied with the master for 12 days (see this article), but he was his brother in law…

BKS was very sick as a child and had to work really hard at getting healthy.  He developed a system of yoga based on his own research and long, dedicated practice.  He reportedly spied on Krishnamahcarya because he would not teach him “pranayama” or the fourth limb of yoga.

His book “Light On Yoga”  which contains more than 600 photographs was a tremendous success in the west because there was nothing like it when it was first published in 1966.  Iyengar became widely popular and to this day there is a 2 year waiting list to practice with him at the source, in his institute in Pune.

Iyengar who is now in his 90s and still
practices daily

Certified Iyengar teachers go through a very rigid system of training that focuses on precision and alignment and working slowly through the poses.

The MAJOR DIFFERENCES between Iyengar and Ashtanga Yoga is that (1) Iyengar uses props (ropes, blocks, blankets, etc) while Ashtanga prefers to use nothing so that the body will work itself towards the pose (although nothing is set in stone and sometimes a prop may just be needed which is fine).

(2)  Ashtanga yoga uses vinyasa or fluid ways to get into each posture and ways to get out of each posture, it has a method or a little choreographed dance one could say, while Iyengar does not.  Apparently this one of the things that Krishnamahcarya disapproved of Iyengar doing.

Also (3) Iyengar classes are “designed” while Ashtanga yoga has 6 pre-determined sequences of poses that one will repeat until mastered progressing one pose at the time.

An Iyengar class using props

In an Iyengar class you will find a challenging yet probably slow paced set of asanas.  The focus will be on the angle of the feet, the engagement of all muscles, the proper twist etc.  They have levels and grow in difficulty.

FAMOUS TEACHERS IN AMERICA:

In the West we have Patricia Walden as a famous figure representing the Iyengar techniques.  Also Rodney Yee is a student of Iyengar.

DERIVATIONS

ANUSARA

Anusara yoga was created in the early 1990’s by John Friend who was a student of Iyengar.  The system has fallen out of grace ever since allegations of sexual and other misconducts from the part of its leader (Friend) appeared in the media early this year.  

To tell the truth I have never been able to understand what Anusara is all about, but they work with the principles of alignment.

TKV DESIKACHAR

Desikachar is the third of the famous students of Krishnamacharya and HIS SON.

In recent years he has appeared in many public forums reinforcing that his father taught yoga individually and that this was very important to him.  Teaching yoga is all about finding out the type of person who is actually coming to the class, who they are, what they do, what they need.

When Desikachar decided to create a certification program for students to get his validation (as is the case with Iyengar and the Ashtanga system) he had serious doubts.  So much so that on that very first program on which he was going to “certify” students he backed away and decided not to go that route. (Leslie Kaminof tells that story in this video)

Desikachar with his father

As far as I am aware there are no “Desikachar” classes offered in gyms or studios, but I could be wrong.  The main institute is the Krishnamacharya Yoga Mandiram located in Chennai.

VINYASA KRAMA: SRIVATSA RAMASWAMI

Ramaswami is the fourth of the five very famous students of Krishnamacharya.  He is the son of a prominent business man in India who had such luck that his father asked the master to come to his home to teach them yoga.

He studied one-on-one with Krishnamahcarya for 35+ years, and not just the asanas.  He says (I heard him directly in one of his workshops) that a class with the Master would AWAYS include asanas and then some pranayama, some sense withdrawal and meditation.  Every class.  Here is an interview of Ramaswami about his studies with Krishnamahcarya.

Click picture to look
inside Ramaswami’s book

Vinyasa Krama means sequences done in a certain order and with with proper breathing.   Ramaswami is probably one of the people responsible for the popularization of the term Vinysasa through his book: The Complete Book of Vinyasa Yoga which contains 12 Routines of yoga to be done in different days, and some sub-routines.

I have not seen classes on Vinyasa Krama in gyms or studios but that could be changing soon, let’s hope!

For more on this technique including the wonderful workshops that Ramaswami runs (highly recommended is the one of the Yoga Sutras as he teaches them exactly how his guru taught him) can be found here.

DERIVATIONS

All the styles named below are a derivation of Vinyasa.  What these styles have in common is that they have a teacher who “creates a sequence” for each class, and it will make it flow in a smooth way synchronizing it with the breath.  There are many combinations in which the words have been used, but  the main, traditional meaning gets lost and the classes become more of an instrument to “have fun” and “get a workout” and “breathe deeply” nothing wrong with that, but perhaps forgetting a bit the goal of yoga.

VINYASA

There is a big confusion about what is the difference between Asthanga and Vinyasa so much so that I created a post that explores the difference in depth. See the following post for the difference between Asthanga, Vinyasa and Vinyasa as is perceived in America.

FLOW

Flow refers to the poses running as a little “dance” of sorts, with postures that flow with the breath, for example in the inhale you raise your arms, on the exhale you lower your arms, and the class … flows.

Flow classes just like vinyasa classes offered in gyms usually contain music, which distracts the mind.  The pro part about this is that some people do not quite want the deepness of yoga in its full manifestation and prefer more of a social event to begin with, where there is music, candles, and perhaps conversation at the end.

VINYASA FLOW

These are just ways of rearranging the terms but they mean the same as just flow. See the link under Vinyasa for a deeper understanding.

YOGA TRANCE DANCE

I don’t know much about this style other than it is done with music and almost as in dancing.  It seems to me that it deviates a bit from yoga, but it works for some people and the class is popular.

A.G.MOHAN – YOGA THERAPY

A.G. Mohan is the fifth of the very famous students these days, of Krishnamacharya.  He studied with Krishnamacharya directly in his latest years and his focus is mostly on using yoga as a healing technique and for preservation of the body in health.  There are no classes in America given in this style but he runs workshops around the world and in his institute.

HATHA YOGA

Hatha Yoga is directly derived by a book written in the 1500s called “The Hatha Yoga Pradipika”.  Within it there is the description of how to prepare the body (through cleansings and the practices of asana and pranayama) for the higher forms of meditation.

Pradipika means dictionary, and Ha-Tha means sun-moon, or prana and apana or the in-taking and outgoing energy to and from the body.

In America usually a Hatha yoga class means that it is a gentle class, done slowly (sometimes really, really slow) and with basic poses.   It can also mean that the teacher will be blending styles and traditions so it is a good idea to find out what happens in the particular studio your planning to visit on that class.

A NOTE ABOUT HATHA DERIVATIONS:  You could probably say that all styles derived a bit from Hatha and you probably would not be wrong.

DERIVATIONS



RESTORATIVE


Restorative classes tend to use Hatha yoga at its base and are gentle, slow and aiming the postures chosen to relax and rejuvenate the body.

A restorative yoga class

INTEGRAL YOGA

Integral Yoga, created by Satchitananda in 1966 offers classes in this style.  They come in 3 levels with the first one going through a very gentle routine, with corpse pose in between poses whenever the system is fatigued and ending with forceful exhaling, or a preparation for pranamaya.  The classes grow in challenging level as you to the level 2 or 3, but the format never changes, first poses then forced exhaling at the end and a long savasana, or rest pose.

BIKRAM

Bikram Choudhury is a famous yoga instructor in the United States that popularized his system of 26 postures done in a heated room (over 100 degrees) due to his colorful personality and ego-centric flares.  The class runs always through the same 26 poses as you sweat heavily in front of a mirror.  He now also has a second, more advanced set of postures.

Bikram leading a class in a very hot room

Friends of mine swear by this system, they tell me they have lost weight, feel great and get a lot more energy.  I am not good in enclosed spaces at high temperatures, so it is not for me, but it works for others. So be it.

SIVANANDA

Sivananda was a medical doctor turned yoga teacher.  He has writen a wealth of publications which are available for free reading at his foundation.

He has many disciples in the West, and his retreats and teacher trainings still run all over the world.  Based on Hatha Yoga he has an emphasis on pranayama and on more obscures yoga techniques like nidra (yoga of sleep).


FAMOUS DISCIPLES:


SWAMI VISHNUDEVANANDA


SATYANANDA SARASWATI

Satyananda Saraswati is a prolific writer from whom you can read Yoga Nidra, or the wonderful book “Asana Pranayama Mudra Bandha”.


SWAMI RADHA

Swami Radha was a dancer in her 40’s living in Canada when she had a vision of Sivananda appearing to her.  She went to him and studied with him.  She came back and founded the Yasodhara Asrham in a paradise lake in British Columbia about an hour flight north of Vancouver.  A wonderful place to go on retreat, eat healthy, reflect and regroup. I did a 10 day retreat there.

KUNDALINI

Kundalini is a style that focuses on the enrgy of the body, on making it strong so as to help the serpent force that is locked at the base of the spine to raise and make us enlightened.  Here is their wiki.

I took one class a while ago, and was surprised by the level of energy and the strong breathing suggested by the teacher.  We were made to sit down and come back up a few times, so much so that I remember getting tired.  I suppose each class still comes down to who is teaching.

WHO AM I?  RAMANAH MAHARSHI

I call Ramanah Maharshi a “chapter one” kind of guy.  He takes the first yoga sutra of the first chapter and stays there, there is no need for anything else, we can stop the fluctuations of the mind and come to the present moment, be fully aware, right now. Period.

He suggests that instead of taking the long way to the state of yoga through asanas pranayama etc, that we simply just work at it all the time by asking ourselves the question: “WHO AM I”?  BUT, and there is a but, NEVER LISTEN TO WHAT YOUR MIND ANSWERS BECAUSE WE ARE NOT THE MIND.

Ramana Maharshi stopped “thinking” at the age of 16 

Disciples of Maharshi report that in three years of intense questioning they can get to be present, discerning what they are rather than being confused as we all are by thinking we are the body, or our possessions or what our mind tells us we are.

We are not.  But the answer can only come in the form of an experience, such is the nature of the beast. It was either Maharshi or one of his students who suggested that the physical poses of yoga were like a bird climbing a tree to get to the sky, as opposed to just directly flying into the sky.

A FAMOUS DISCIPLE of Maharshi, although a bit closeted is ECKART TOLLE, whose books I highly recommend.

MORE STYLES:

Here are some other styles, frankly I got a little tired, there are so many!  

Yin Yoga –  Hatha means Taoism
Kripalu
Phoenix Rising
Ananda
Kayvaliadham
White Lotus
ISHTA
Viniyoga

What style do you practice?

What is the Difference Between Vinyasa and Ashtanga Yoga?

Both Vinyasa and Ashtanga are terms derived from the Yoga Sutras of Patanjali, the bible of yoga. However, I have a feeling that when this question is asked in Internet forums, as I have found to be the case twice in the past week, it seems to relate more about what can one expect in an American class offering either of them.

In this light I have divided the answer in three layers, listing the differences (or similarities) according to (a) the Yoga Sutras, (b) according to today’s lineage holders, and (c) according to how it is taught in America these days, to the level of my understanding.

1- VINYASA AND ASHTANGA AS PER PATNAJALI:

Patanjali is the sage who lived about 2000 years ago and of whom we know rather little. He compiled with excellent detail and a handful of words (196 sentences) the Yoga Sutras of Patanjali.

The Sutras are divided into four chapters.  The first chapter deals with very advanced yogis who can attain the goal of yoga (stopping the projections of the mind) at once.  That is not my case and most people’s case.

So for people who cannot fly into the goal and reach eternal peace while being rooted in the crest of the present, there is chapter two and three.

In chapter two he explains the eight limbs of yoga or ASHTANGA (Ashto=8, Anga=limbs).  The eight steps or limbs work as a ladder which we can use to climb into the state of yoga.  We purify the body and our actions with the first four and then access higher states of inner concentration with the last four so that we can be liberated.

A yogi that attains the goal of yoga becomes completely detached and un-interested in the world. Nothing disturbs her, not even death.  She abides in peace and has tremendous discrimination, all delusions end.  See here for 7 signs that you are a realized yogi.

This is a great introduction based on a lecture
That Master Ramaswami gave

Recently at a Ramaswami workshop I asked about where in the yoga sutras do we derived the term “VINYASA” from?  Ramaswami, a student of Krishnamacharya for 35+ years explained to me that this is related in two sutras from chapter two:

2.46 is the most famous sutra in the world (make that in my world):  2.46 Sthira Sukham Asanam, or: Sitted position should be comfortable and steady. AND
2.47 prayatna saithily anantasam apattibhyam, or: Effort should be accompanied by smooth breath


That, Ramaswami explained, is where Krishnamahcarya taught him we derived the term VINYASA, where we accompany the effort of asana with smooth long breath.  Here is Ramaswami himself:

Sri T Krishnamacharya had said in his Yoga Makaranda (read it here for free) and also in Yoga Rahasya that full benefits of yogasana cannot be obtained without vinyasas.  Regarding the Yoga Sutra reference it would be about the use of breath in the practice of asanas. The interpretation of the terms in the sutras “sthira, sukha, prayatna saitilya and aananta samapatti” the four paramenters mentioned. These refer to comfort, steadiness, smooth breathing and focus on the breath while practicing asanas which is the way Sri TK taught me vinyasa practice.

For more on that see: Where oh where does Patanjali say anything about Vinyasa in the Yoga Sutras?

So, in brief: Ashtanga refers to the system of eight limbs that dedicated yogis will learn about and follow on their quest to reach the state of yoga, or liberation.  Vinyasa is the art, one could say, of utilizing the breath, in deep and smooth ways, as in the “hissing of a serpent” (as Krishnamacharya puts it in his book Yoga Makaranda (honey)) while practicing the asanas or poses of yoga.

Vinyasa is also the way in which we enter each pose and come out of it, or as Desikachar would tell us in his book “Health Healing and Beyond”, the process by which the teacher receives the student at the door, takes it to the studio, teaches and then sees the student out to the door again”, the steps we take.  For more on that see comment below on Richard Freeman’s talk.

2.- VINYASA AND ASHTANGA AS PER THE HOLDERS OF THE LINEAGE:

ASHTANGA: Sri K Pattabhi Jois coined his style ASHTANGA.  His institute, the “Ashtanga Yoga Research Institute” is located in Mysore India, and the way the system is taught is also called “Mysore”.

The starting point is asanas or poses as this ends the delusions of the mind quickly, coupled with the codes of conduct of the first two limbs of yoga, the yamas and niyamas.  There are 6 series of asanas that grow in difficulty.  The poses are done by breathing deeply and with a strict count, no breath or movement is left to chance.

The series are taught individually in a setting where students come to class at their own time and practice their own series or to wherever they are.  Teachers come around and adjust students depending on their own individual level.  New poses are given only when the student has mastered what she or he already has.

A LED Intermediate Series Class at the Ashtanga Yoga
Research Institute in India – Sharath Jois is leading the class

The poses are practiced using bandhas (internal locks) the hissing of the serpent type of breath and specific looking points (hand, alongside the nose, side etc).  Jois has taught students that the yoga Korunta (a book in which he based his system but that was unfortunatelly eaten by ants, or so we are told, with no copy left behind) it says “Oh yogi, do not do yoga without vinyasa”.

Once a week there are “led classes” where the teacher leads by counting in and giving the names of the poses in sanskrit.  This is a way to help students learn the proper count.

VINYASA yoga was popularized by Srivatsa Ramaswami a living yoga master and student of Krishnamacharya for a long time, in his book “The Complete Book of Vinyasa Yoga”.

It also has series, although these are called routines. It is done at a much slower pace than Ashtanga yoga and including small resting -corpse pose- when one gets winded or out of breath.  The breathing component is of course key and done in a deep way, with sound.

The practices are more integrative than those of Ashtanga as each practice will not only include asana or poses but also pranayama (breathing extension exercises), pratyahara (sense withdrawal) and concentration on one point with singing of mantra.  See here for the weekend workshop I recently took with Ramaswami, and here for a session of Vinyasa Krama in photographs.

You can also of course visit Grimmly’s blog who is an adept student of this tradition (together with Ashtanga), and visit Ramaswami’s page.

A Vinyasa Krama Teacher Training with Ramaswami adjusting
and Grimmly demonstrating

3.- VINYASA AND ASHTANGA AS IS TAUGHT IN AMERICA

ASHTANGA in general tends to keep to the tradition fairly well and teach Mysore programs with one led class per week.  Instructors in most cases tend to be authorized or certified by India (Ashtanga Yoga Research Institute) and stick to the traditional way of teaching it.

A Mysore room where everyone is practicing at their own
level and at their own time a pre-set series

In these rooms you can expect to go and find all practitioners already going for their own practices.  A teacher will show you the beginning of the first series and you will start from there.  He or She will add poses as you become comfortable with the series and can breathe well in the poses you already have. You will have your own practice from day one and build from there.

It is a vigorous style of yoga that demands focus and dedication, it is practiced 6 times a week with rest on Saturdays and moon days.  See 21 Things I Wish I Knew Before I Started Practicing Ashtanga Yoga.

VINYASA.  I cannot speak for all vinyasa classes given in the country, but the term vinyasa has been used in context that differ greatly from the original, there is vinyasa flow, flow, trance, etc, and other terms of the kind.

Vinyasa in America is more associated with a practice that flows and never stops with breathing, but studios tend to add things to it, like music for example, and turn it into a bit more of a scene that draws the mind out rather than in.  This is not a criticism just an observation.

a Vinyasa class with live music

Also in Vinyasa classes as taught in America the instructors create the sequences that are to be taught rather than follow pre-established methods or routines, meaning that one cannot tell in advance what to expect.

As I said, this is to the level of my understanding, the rabbit hole gets much deeper and for those of you interested in yoga this is just the tip of the iceberg, there is a lot more to be discovered.



RELATED:
Keeping it Real: 8 Things To Know About the 8 Limbs Of Yoga
Krishnamacharya Yoga: A Weekend With Ramaswami
12 Suggestions on How To Find a Good Yoga Teacher

Moon Day Slow Practice with Grimmly and Ramaswami

A slow gentle practice is what I wanted for today since it is a moon day in Ashtanga.  I wanted to start practicing some of the meditative subroutines of Vinyasa Krama so I looked at Grimmly’s book for that, fantastic resource by the way, and ended up doing just two subroutines within the meditative sequence (Day 51) as I was pressed for time.

I should have included the five minute paschimotanasana come to think of it, but I forgot.  This was good anyway, it does indeed leave you in good conditions for concentration.

After the sun salutes and the sub-routines I did what Ramaswami taught us in the workshop last Saturday, for which I am so grateful.  Kapalabhati with arms to the side, raised and raised and crossed, still having difficulty getting to 36 pumps with the arms up.  Then nadi sodhana with bandhas for both retentions when the breath was in and out (he did not tell us to do it with the breath in but I am used to it so it was OK).

Then two minutes of pratyahara, sense withdrawal with the mudra followed by sweet concentration.

I am surprised at how much of an effect in the nervous system a short practice like this can have. I was left a lot more focused and centered.

Here are some pictures of the routine:

Transitioning into pranayama

preparing for pranayama

kapalabhati with arms lowered, two rounds, 36

kapalabhati with arms raised, a challenge

even more “interesting”

nadi shodana

preparing for pratyahara mudra -sense withdrawal-

focusing on the breath – Ramaswami does it on mantra
but I have been working on the breath since the Vipassanas

Related:
10 Things to Know About Pratyahara – A Pivotal Moment in A Yogic Path
Krishnamacharya’s Yoga – A Weekend with Ramaswami

SUNDAY NEW BLOG TIMES: Check Artur Out

Is ideology like cocaine? – picture –

Yogi Arturo wonders if oreos in pinaple, raspberry and blueberry flavors are just an Asian thing, are they?

Vinyasa Flow or Ashtanga?

This Yogi needs help with his dilema of what to call his class?

Grimmly returns to his roots of Vinyasa Krama after a few weeks of Ashtanga. We understand, the Vinyasa Krama does include all limbs in each practice, and that is priceless!

The 9 ways to guarantee success at James’ blog, look awfully similar to yoga sutra #… can you tell which one? – Interesting that one commentator noticed!

7 Surprises I got from the yoga sutras, via Ramaswami and from Patanjali

I found this incredible video at Eddie Stern’s Blog, check Artur out, such control, such grace…

RELATED:
Last Sunday’s New Blog Times

Thursday Blog Watch – 8 Best of the Blog Sphere

The ‘Mysore napper’ leads the count for her husband to surrender into the primary series. OK, maybe she is just watching. Love those “spousal ashtangis” see the pictures

The best resrouce on Vinyasa Krama on the web.

Grrr, I think I would also be upset.

loopy time

Not “feeling” the Yoga Journal Talent Search? What about this Drawn This Way contest? They already have their finalists.

Curvy Yogis photo gallery. (Found it throurgh Loo in this post, thank you)

8 things to do if you get trapped in a time-loop. Funny.

After a year absence this reporter returns to Deli and finds it oh, so different.

Hm, this spirulina smoothie looks gorgeous

And for laughs, have you seen these twins talking, sort of?

Last Thursday’s Blog Watch.