THE DEFINITIVE GUIDE TO ALL YOGA STYLES: WHICH IS RIGHT FOR YOU?

There are so many styles of yoga out there!  Many are derivations of major lineages, many are recent creations, others are mergers.  Here is a post that attempts to shine light at what you may find out there in studios throughout the world.

I have used, among other books, all of these in the picture below, plus what I have in the I-Pad to provide the most value I can offer.  I hope you like it.

So much to read!

At the same time this is a post, not a book, so it might be recommended that you continue your own search, take some classes, and come up with your own decision on which path to follow.  In the end your own relationship with a teacher or a style is what counts. What resonates with you is the important part.

I will not concern myself with ancient history as that may sound irrelevant, however, if you are curious I can give you a one/two paragraph of the overall, very, VERY broad history of yoga:

The Vedas, Samkya, Patanjali, the Baghavad Gita and The Hatha Yoga Pradipika are perhaps the five mountain peaks in the histogram of yoga.  These are sacred texts that contain truths as realized by ancient sages.

There is mention of yoga in the Vedas. Samkhya was the first style of phislosophy to leave some clear tracks, Patanjali in his response to the spread of Buddhism compiled all knowledge he mastered and experienced into the Yoga Sutras (which contain very little mention of asanas or poses), the Gita looks at the yoga of action of being in the world but not of it, and the Hatha Yoga Pradipika explains in detail the daily practices of a yogi in a systematic way, including asanas, pranayama, etc.

All five philosophies/texts would take a life time to learn! let alone understand. So let’s get down to business:

TIRUMALAI KRISHNAMACHARYA

Last century the world was lucky enough to come accross a master yogi called Tirumalai Krishnamacharya.   At the age of 16, young Krishnamacharya had a dream with an ancestor of him about yoga, and he followed his heart and what he saw in the dream.  Read about the dream here. He went on to study with a guru for 7 years in Nepal and was told at the end to go out on the world and spread the word of yoga.

He did.

Krishnamacharya

While he was with his guru in the mountains he learned asanas and pranayama and studied the ancient texts, like the Yoga Sutras of Patanjali.

Krishnamacharya was a fierce teacher, feared even, by his early students, and “mellowed out” as his son tells us, as he grew older.  Yoga was his life and he took it  very seriously, with enormous dedication and discipline. We owe much of what yoga is today to him.  Here are 8 stories that show the kind of man he was.

Further reading on Krishnamacharya: See Grimmly’s articles on his translation of the Yoga Asana Galu (very interesting), or his books Yoga Makaranda (free here) and Yoga Rahasya.

He had 5 very prominent students, who were responsible for the propagation and popularization of yoga up to today, you will likely recognize the following styles (in bigger letters, smaller letters are for their watered-down or spin-offs derivations that we have in America):

ASHTANGA YOGA – K PATTABHI JOIS

Sri Krishna Pattabhi Jois was one of those five young students of Krishnamacharya in the 1930’s.  He then went on to create his own yoga institute -in Mysore, South India- and called the style: “Ashtanga Yoga”.  The term “ashtanga” means eight limbs, and comes from the Yoga Sutras of Patanjali, chapter two and is intended for people like me who cannot simply “get” the goal of yoga right away (example it is hard for me to just remain fully present without mind projections and therefore I need a system which is outlined in chapter two with the eight steps).

Madonna doing a pose from the
intermediate series

His style exploded in popularity in the 90s with celebrities like Madonna, Gwynette Paltrow and William Defoe practicing it and appearing in films to talk about it.

Ashtanga yoga is a very specific style.  It is practiced 6 times a week, avoiding Saturdays and the days of full and new moons  (and ladies holidays for women).  The practitioner arrives in what is called a “Mysore room” named after the birth place of the style, rolls out his or her mat and practices what he or she knows, up to where she can go.  The teacher will come around and adjust each one individually.  See: 21 things I wish someone told me before I started practicing Ashtanga Yoga

Sharath Jois (grandson of Jois) on the Sunday Intermediate
Led Class in Mysore, India

When a pose is “mastered” and I say mastered in quotes because they are really always a work-in-progress but can somehow get to a point where they are “stable”, then the teacher assigns a new pose.

Nobody in the world can authorize or certify a teacher to teach Ashtanga Yoga except the source, the Asthanga Yoga Research Institute in India, meaning that those courses offered with a “yoga alliance” registry opportunity do not qualify or count in the Ashtanga world.  A teacher of Ashtanga, authorized or not (he or she may be in the process, perhaps in his fourth or fifth trip to India) is usually someone highly trained.  Of course it is always good to be careful when selecting a teacher. Regardless of style. See how to select a good teacher.

Ashtanga Yoga is a practice that has the objective of focusing first on the asana practice, to sweat the body and purify it, and at the same time practice the norms or basic tenants to purify our lives, practice the yamas and niyamas.

Although physically challenging the goal is not really to get to the next pose but rather to go deeply within, to experience the now, to purify outer and inner life.

Why did I name this style first?  Because it is the one I practice and my heart is in it.  It has lineage and a long tradition, and it works for me!

If you are interested in visiting the “source” in Mysore, here is a post with all the information about how to travel to get the most out of the experience, how to prepare, when to go, what to bring etc.

For more on Ashtanga Yoga, see 32 Suggestions: How to Get Started with Ashtanga Yoga

DERIVATIONS



POWER YOGA 

Power Yoga is basically an exact copy of Ashtanga Yoga only a teacher always leads the class.  The system was designed by  Beryl Bender Birch who was struck when she saw a senior practitioner go through the series.  She decided to bring it to the United States and re-named it “Power Yoga” because, in her own words:

“Most people wouldn’t take a class called Ashtanga Yoga because they had no idea what it mean. Power Yoga, on the other hand, was something Americans could relate to an know that they’d get a good workout”

a Power Yoga Class

Maybe that is the biggest difference.  Power Yoga attempts to be a “workout”, but we must keep in mind that the goal of yoga is to “end the delusions of the mind, to become present, free of the monkey mind that jumps into the future or the past”.  Nevertheless, it is, of course, a good introduction to yoga if the instructor is good (as would always be the case)

This style can be found in many gyms as well as yoga studios in America.  For more on Power Yoga read this book.

JIVAMUKTI

Created in 1984 in New York City, Jivamukti offers a blend that seeks for the goal of yoga (profound peace, full presence and discrimination), not just the poses.  It is based on Ashtanga Yoga and adds elements of devotion, chanting, and reading of the main scriptures mentioned at the top.  David Life and Sharon Ganon are dedicated students who have travelled the world and taught for a long time.  That they have a style they own is interesting.  Read their wiki for more.

The style is not only based on Ashtanga but also contains elements of Vinyasa and even the Sivananda tradition.

Sharon and David, founders of Juivamukti

Their classes have different levels like Beginner Vinyasa or Open classes where they focus on different things depending on the week of the month. For example one week it could be emphasizing alignment, another week focusing on inversions and meditation, etc.

They also have a “fast-paced-get-in-shape- “Warrior” style of class designed for people on the go who only have one hour to focus on their practice.

Jivamukti has centers internationally here is their website.

IYENGAR

BKS Iyengar was the second of the five highly recognized students of Tirumalai Krishnamacharya, although by his own saying he only studied with the master for 12 days (see this article), but he was his brother in law…

BKS was very sick as a child and had to work really hard at getting healthy.  He developed a system of yoga based on his own research and long, dedicated practice.  He reportedly spied on Krishnamahcarya because he would not teach him “pranayama” or the fourth limb of yoga.

His book “Light On Yoga”  which contains more than 600 photographs was a tremendous success in the west because there was nothing like it when it was first published in 1966.  Iyengar became widely popular and to this day there is a 2 year waiting list to practice with him at the source, in his institute in Pune.

Iyengar who is now in his 90s and still
practices daily

Certified Iyengar teachers go through a very rigid system of training that focuses on precision and alignment and working slowly through the poses.

The MAJOR DIFFERENCES between Iyengar and Ashtanga Yoga is that (1) Iyengar uses props (ropes, blocks, blankets, etc) while Ashtanga prefers to use nothing so that the body will work itself towards the pose (although nothing is set in stone and sometimes a prop may just be needed which is fine).

(2)  Ashtanga yoga uses vinyasa or fluid ways to get into each posture and ways to get out of each posture, it has a method or a little choreographed dance one could say, while Iyengar does not.  Apparently this one of the things that Krishnamahcarya disapproved of Iyengar doing.

Also (3) Iyengar classes are “designed” while Ashtanga yoga has 6 pre-determined sequences of poses that one will repeat until mastered progressing one pose at the time.

An Iyengar class using props

In an Iyengar class you will find a challenging yet probably slow paced set of asanas.  The focus will be on the angle of the feet, the engagement of all muscles, the proper twist etc.  They have levels and grow in difficulty.

FAMOUS TEACHERS IN AMERICA:

In the West we have Patricia Walden as a famous figure representing the Iyengar techniques.  Also Rodney Yee is a student of Iyengar.

DERIVATIONS

ANUSARA

Anusara yoga was created in the early 1990’s by John Friend who was a student of Iyengar.  The system has fallen out of grace ever since allegations of sexual and other misconducts from the part of its leader (Friend) appeared in the media early this year.  

To tell the truth I have never been able to understand what Anusara is all about, but they work with the principles of alignment.

TKV DESIKACHAR

Desikachar is the third of the famous students of Krishnamacharya and HIS SON.

In recent years he has appeared in many public forums reinforcing that his father taught yoga individually and that this was very important to him.  Teaching yoga is all about finding out the type of person who is actually coming to the class, who they are, what they do, what they need.

When Desikachar decided to create a certification program for students to get his validation (as is the case with Iyengar and the Ashtanga system) he had serious doubts.  So much so that on that very first program on which he was going to “certify” students he backed away and decided not to go that route. (Leslie Kaminof tells that story in this video)

Desikachar with his father

As far as I am aware there are no “Desikachar” classes offered in gyms or studios, but I could be wrong.  The main institute is the Krishnamacharya Yoga Mandiram located in Chennai.

VINYASA KRAMA: SRIVATSA RAMASWAMI

Ramaswami is the fourth of the five very famous students of Krishnamacharya.  He is the son of a prominent business man in India who had such luck that his father asked the master to come to his home to teach them yoga.

He studied one-on-one with Krishnamahcarya for 35+ years, and not just the asanas.  He says (I heard him directly in one of his workshops) that a class with the Master would AWAYS include asanas and then some pranayama, some sense withdrawal and meditation.  Every class.  Here is an interview of Ramaswami about his studies with Krishnamahcarya.

Click picture to look
inside Ramaswami’s book

Vinyasa Krama means sequences done in a certain order and with with proper breathing.   Ramaswami is probably one of the people responsible for the popularization of the term Vinysasa through his book: The Complete Book of Vinyasa Yoga which contains 12 Routines of yoga to be done in different days, and some sub-routines.

I have not seen classes on Vinyasa Krama in gyms or studios but that could be changing soon, let’s hope!

For more on this technique including the wonderful workshops that Ramaswami runs (highly recommended is the one of the Yoga Sutras as he teaches them exactly how his guru taught him) can be found here.

DERIVATIONS

All the styles named below are a derivation of Vinyasa.  What these styles have in common is that they have a teacher who “creates a sequence” for each class, and it will make it flow in a smooth way synchronizing it with the breath.  There are many combinations in which the words have been used, but  the main, traditional meaning gets lost and the classes become more of an instrument to “have fun” and “get a workout” and “breathe deeply” nothing wrong with that, but perhaps forgetting a bit the goal of yoga.

VINYASA

There is a big confusion about what is the difference between Asthanga and Vinyasa so much so that I created a post that explores the difference in depth. See the following post for the difference between Asthanga, Vinyasa and Vinyasa as is perceived in America.

FLOW

Flow refers to the poses running as a little “dance” of sorts, with postures that flow with the breath, for example in the inhale you raise your arms, on the exhale you lower your arms, and the class … flows.

Flow classes just like vinyasa classes offered in gyms usually contain music, which distracts the mind.  The pro part about this is that some people do not quite want the deepness of yoga in its full manifestation and prefer more of a social event to begin with, where there is music, candles, and perhaps conversation at the end.

VINYASA FLOW

These are just ways of rearranging the terms but they mean the same as just flow. See the link under Vinyasa for a deeper understanding.

YOGA TRANCE DANCE

I don’t know much about this style other than it is done with music and almost as in dancing.  It seems to me that it deviates a bit from yoga, but it works for some people and the class is popular.

A.G.MOHAN – YOGA THERAPY

A.G. Mohan is the fifth of the very famous students these days, of Krishnamacharya.  He studied with Krishnamacharya directly in his latest years and his focus is mostly on using yoga as a healing technique and for preservation of the body in health.  There are no classes in America given in this style but he runs workshops around the world and in his institute.

HATHA YOGA

Hatha Yoga is directly derived by a book written in the 1500s called “The Hatha Yoga Pradipika”.  Within it there is the description of how to prepare the body (through cleansings and the practices of asana and pranayama) for the higher forms of meditation.

Pradipika means dictionary, and Ha-Tha means sun-moon, or prana and apana or the in-taking and outgoing energy to and from the body.

In America usually a Hatha yoga class means that it is a gentle class, done slowly (sometimes really, really slow) and with basic poses.   It can also mean that the teacher will be blending styles and traditions so it is a good idea to find out what happens in the particular studio your planning to visit on that class.

A NOTE ABOUT HATHA DERIVATIONS:  You could probably say that all styles derived a bit from Hatha and you probably would not be wrong.

DERIVATIONS



RESTORATIVE


Restorative classes tend to use Hatha yoga at its base and are gentle, slow and aiming the postures chosen to relax and rejuvenate the body.

A restorative yoga class

INTEGRAL YOGA

Integral Yoga, created by Satchitananda in 1966 offers classes in this style.  They come in 3 levels with the first one going through a very gentle routine, with corpse pose in between poses whenever the system is fatigued and ending with forceful exhaling, or a preparation for pranamaya.  The classes grow in challenging level as you to the level 2 or 3, but the format never changes, first poses then forced exhaling at the end and a long savasana, or rest pose.

BIKRAM

Bikram Choudhury is a famous yoga instructor in the United States that popularized his system of 26 postures done in a heated room (over 100 degrees) due to his colorful personality and ego-centric flares.  The class runs always through the same 26 poses as you sweat heavily in front of a mirror.  He now also has a second, more advanced set of postures.

Bikram leading a class in a very hot room

Friends of mine swear by this system, they tell me they have lost weight, feel great and get a lot more energy.  I am not good in enclosed spaces at high temperatures, so it is not for me, but it works for others. So be it.

SIVANANDA

Sivananda was a medical doctor turned yoga teacher.  He has writen a wealth of publications which are available for free reading at his foundation.

He has many disciples in the West, and his retreats and teacher trainings still run all over the world.  Based on Hatha Yoga he has an emphasis on pranayama and on more obscures yoga techniques like nidra (yoga of sleep).


FAMOUS DISCIPLES:


SWAMI VISHNUDEVANANDA


SATYANANDA SARASWATI

Satyananda Saraswati is a prolific writer from whom you can read Yoga Nidra, or the wonderful book “Asana Pranayama Mudra Bandha”.


SWAMI RADHA

Swami Radha was a dancer in her 40’s living in Canada when she had a vision of Sivananda appearing to her.  She went to him and studied with him.  She came back and founded the Yasodhara Asrham in a paradise lake in British Columbia about an hour flight north of Vancouver.  A wonderful place to go on retreat, eat healthy, reflect and regroup. I did a 10 day retreat there.

KUNDALINI

Kundalini is a style that focuses on the enrgy of the body, on making it strong so as to help the serpent force that is locked at the base of the spine to raise and make us enlightened.  Here is their wiki.

I took one class a while ago, and was surprised by the level of energy and the strong breathing suggested by the teacher.  We were made to sit down and come back up a few times, so much so that I remember getting tired.  I suppose each class still comes down to who is teaching.

WHO AM I?  RAMANAH MAHARSHI

I call Ramanah Maharshi a “chapter one” kind of guy.  He takes the first yoga sutra of the first chapter and stays there, there is no need for anything else, we can stop the fluctuations of the mind and come to the present moment, be fully aware, right now. Period.

He suggests that instead of taking the long way to the state of yoga through asanas pranayama etc, that we simply just work at it all the time by asking ourselves the question: “WHO AM I”?  BUT, and there is a but, NEVER LISTEN TO WHAT YOUR MIND ANSWERS BECAUSE WE ARE NOT THE MIND.

Ramana Maharshi stopped “thinking” at the age of 16 

Disciples of Maharshi report that in three years of intense questioning they can get to be present, discerning what they are rather than being confused as we all are by thinking we are the body, or our possessions or what our mind tells us we are.

We are not.  But the answer can only come in the form of an experience, such is the nature of the beast. It was either Maharshi or one of his students who suggested that the physical poses of yoga were like a bird climbing a tree to get to the sky, as opposed to just directly flying into the sky.

A FAMOUS DISCIPLE of Maharshi, although a bit closeted is ECKART TOLLE, whose books I highly recommend.

MORE STYLES:

Here are some other styles, frankly I got a little tired, there are so many!  

Yin Yoga –  Hatha means Taoism
Kripalu
Phoenix Rising
Ananda
Kayvaliadham
White Lotus
ISHTA
Viniyoga

What style do you practice?

Krishnamacharya Singing A Peace Invocation

Here is A.G. Mohan, a long-time direct student of Krishnamacharya  welcoming 2012 with a peace invocation, Shanau Bhavatu.

You can click on the image to go to the video and hear Krishnamacharya himself singing the prayer in the 80s [starts at minute 1] and then A.G. Mohan going over the importance and meaning of the chant.

It has such calming effect to sing it.  Enjoy, and may we all be at peace.

You can also see:
Krishnamacharya his life and teachings (by A.G.Mohan)

Happy Birthday Krishnamacharya: 5 Things I Learned From Him!

Krishnamacharya (the grandfather of ALL yoga you see out there these days) was born November 18, 1888. Should he be living today he would turn 123!

As an expression of gratitude here are five things I’ve learned from him, without ever knowing him, and that inspire me daily:



Low Profile but Fierce Propagation of the Message of Yoga

As a teacher he kept a low profile but that did not mean he stopped propagating the message of yoga, he just did it wisely.  Matter of fact, when A.G. Mohan was to go onto a yoga  conference in the 70’s that was the direct advise that Krishnamacharya gave him: “Propagate Yoga Wisely”.

For more on this picture see this article


Selective in the Students He took on Board

He was picky of the students he took on because he knew that they would reflect on him and he wanted more than anything to please the wishes of his guru Bramacharya, who asked him to go into the world and propagate yoga.  That he did.

All the yoga we know today we know because of him.  Every yoga teacher out there has been influenced by Krishnamacharya weather we know it or not.

Krishnamacharya favored students that were serious and interested in all branches of yoga.  He would make them wait for an hour under the hot Indian sun if they were ever late (Ramaswami tells this story). He took yoga very seriously

He practiced all his life

Up until his 90’s when he suffered a fracture in his hip because he did not realize he had moved a chair and sat down falling to the floor.  But before that he continued his asana practice as well as pranayama, meditation and chanting.

When a local institute in India asked him to teach he said he would but when the management wanted to change his teaching style he turned around and said ‘no’ highlighting that this would give him more time for his own practice.



Different Interpretation of the Yoga Sutras

His interpretation of the yoga sutras is unique, as passed from him to Ramaswami.  For example, Krishnamacharya is the first to say that yoga is not all about union, it is also, more pragmatically, about separation, about the constant discrimination in our daily lives of what is real and what is not.

For exapmple, this anxiety I feel right now, is not real, the only reality is the silent observer, the one behind the curtain that is beyond life/death and anxiety too.  Identification with the observer rather than the experience is what we are after.

He also had a very peculiar interpretation as of where it is in the Yoga Sutras that Patanjali mentions ‘vinyasa’, an interpretation that you will not find in Iyengar or Sivananda, a very unique take by Krishnamacharya and his guru Bramacharya of the Himalayans.  See here.

Dedication and Perseverance

At the age of 16 Krishnamacharya walked about 1,000 miles chasing what he heard in a dream, that an ancestor of his was to teach him all about yoga.  This is the story.

Now, how much energy and dedication does it take to walk 1000 miles? I guess after that the thought of just doing primary series on this fine Friday pales in comparison!

—-

Krishnamacharya inspires me to get on the mat every day. His serious and determined eye gaze seems to pervade all around the place where I practice. I know he is watching!

My Favorite Krishnamacharya Short Story – Revealing the Man Behind the Legend

http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=B004YF1TIE&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrCould not help it, I had not found it when I first wrote the eight stories, but here is the ninth one, and one that I adore:

On the 1950’s T.K. was teaching yoga in a college in Chennai, but there was a difference of opinion with the management as of how he should be teaching.

[My note here: What was the management thinking?!!!]

Anyway, Krishnamacharya was not willing to compromise on his teachings and the management threatened to dismiss him. Tirumalai said to them: “Very well, I will have more time for my own practice”


I’ll tell you why I love the story, it is because Tirumalai was so sure of his mission, so certain on the benefits of yoga, so trusting that life would take care of him with or without the college that he just followed the only directive worth following, that of his own spirit.

Gotta love the man.

There are a LOT more stories in the A.G. Mohan book, a really good read.

What is your favorite story from the book or from any other source about Tirumalai?

RELATED POST
The Other 8 Short Stories about Krishnamacharya 

Books I am Waiting on

UPDATE  🙂 

http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=5914780039&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrI am waiting to finally read the legendary Lino Miele‘s book.  There is a lot of stories surrounding it, which he tells in the Guruji book- like when Guruji told him to print 10,000 copies, then Lino asked: “how much should we charge” and P.Jois  replied 100 dollars.  Lino then goes on to explain his own interpretation that it did not really mean 100 dollars but that the value of the book is really that much, and back then!

The book is out of stock at amazon, I just put the picture on the right as a tease, I believe I found it at ashtanga.com

Lino wanted to have three series included in the book, including primary, intermediate and Advanced A, and John Scott had done the drawing for the advance 3rd series,  but Pattabhi Jois said to him:
“Good, well done, but take the last part out, Advaned A – we don’t want”.

Lino agreed but was still dubious, so he asked John Scott to call Eddie Stern who happened to be in Mysore to see if further clarification could be achieved, this is what Guruji told Eddie:

“…People will look at the book and imitate, and that is no good.  Look at advanced A, they want to do it, the ego is very high, and they break themselves, for what reason” There is no reason to do this. We don’t want

And so the book (have not seen it yet) only has primary and intermediate.

http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=B0019FM5YE&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrAnother thing I have on order which is also quite exciting is the first DVD set that I know of on anatomy, by David Keil.

I am very grateful to David whom one day, and out of the blue, took time out of his day to answer our nutation question here at the blog.  The article continues to be in one of the most read in the past 30 days even though I do not control that part it is done by google/blooger and based on the number of people that read the article.   On that day I realized that David is dedicated to adding value and I am very much looking forward to the DVD, have you seen it?

David teaches with his wife Gretchen in Miami.  He says they are always travelling.

I just realized that David teaches anatomy together with John Scott who was mentioned on the context of the previous book.  I like how interconnected this small world of ashtanga yoga is.

Then, as a suggestion from Grimmly I found out about a) the led classes of primary and intermediate series dictated by Guruji you can also buy them here, by donation, 25 dollars within the US or 30 dollars outside.  Thanks Grimmly!

Finally, my recent fascination with the story telling abilities of A.G. Mohan in his book “Krishnamacharya His Life and Teachings”I have ordered two other books of him, I thought he had written two in total but it turns out he has 3!, the two I have not seen yet are:

Yoga Therapy: A Guide to the Therapeutic Use of Yoga and Ayurveda
and
Yoga for Body, Breath and Mind: A Guide to Personal Reintegration

So, should be a week full of reading, not to mention I am still delighted to read the Yoga Makaranda, which is available free, here

RELATED POSTS
8 Things I learned from Sharath Jois in his Recent Tour to NYC
Krishnamacharya: 8 Short Stories that Reveal What Kind of Man He Was

Krishnamacharya: 8 Short Stories That Show What Kind of Person He Was

http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=159030800X&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrOne day Krishanamacharya was conducting a “rare” demonstration-class where he mentioned that there are thirty-two variations of headstands.  The class was silent.  A.G.Mohan doubted him but did not say anything, however, the muscles in his face betrayed him and showed his feelings. Krishnamacharya looks at him and says:

What? It looks like you don’t believe me.  Fold that mat and place it here“.  He then demonstrated the 32 variations of headstand.  He was 85 years-old.
—-
Note: All these stories come from the book -left- Krishnamacharya His Life and Teachings, which is highly recommended.  A.G. Mohan studied with Krishnamacharya one-on-one for 20 years and up until the Master’s death.

On one accassion a student comes to him for healing and poses this question to TK: “What fees do I need to pay?”- “How long have you had this desease” asks T.K. – “more than 20 years” comes the reply – “Then it will cost you one hundred rupees, bring them next class” (that was the equivalent of about US$ 5000 of today).

When the student returns the next week with the money, T.K. says: “I don’t want a hudnred rupees from you. You can take it back. I only wanted to know if you had enough committment to follow the disciplines and restrictions I am going to suggest to you

Another day practicing asana, in the warrior pose, Krishamacharya says to A.G. Mohan:

“Keep in mind that you are in the service of the Divine. As you extend your arms and look down, bring the feeling that you are above the world and its various concerns but close to the Divine. As you bring your arms by your side with the palms facing upward, feel that the feet of the Divine are resting on your hands”

Mohan inquiries further: “This is relevant to me but what if a practitioner has no religious beliefs?


“Still the imagery is valuable. Instead of thinking of the Divine the practitioner can bring the feeling that “I am without fear or burden. I am not troubled by the future or the past, flying above wordly pressures”
—-

On an interview in 1970 -age almost 90- the question is posed: Who taught you to stop your pulse and heart beat?

“All happened automatically. What is amazing in that? I did it by practicing pranayama, vishama vrtti and nadishodhana pranayama. And meditation as well”

One time Mohan asks T.K. about a very advanced sequence he had had his youngest daughter, Shubha demonstrate… “How could a yoga teacher teach these asanas to an ordinary person who comes with health issues? He replied:

“It ws a demonstration for propaganda!. You should not take it literally.  Shubha can do it, but for others you must suggest appropiate asanas. Only the principle is important”


On another ocassion A.G. Mohan was to give a talk on pranayama in Switzerland, in 1979.  Krishnamacharya advised:  “Propagate yoga wisely”
—-

One day Krishnamacharya got curious about A.G. Mohan teaching a group of students, upon inquiring “how is it going” he proceeded to give “brief but invaluable advise”:

“There is a saying that poets and women should never be coerced. It will only result in suffering, and the desired result will not materialize. Similarly, never use force in teaching or practicing asnanas”
—-


After many years of studying and surrendering to Krishnamacharya, being in awe at the master, A.G. Mohan finally gets the guts to ask the guru to be initiated in a mantra.  To his surprise T.K. agrees, then A.G. asks how many times should he repeat the mantra, Krishnamacharya replies:
“Traditionally one round of meditation is considered complete when you have repeated the mantra one hundred thousand times for each syllable, your mantra is twelve syllables, so that is twelve hundred times”.
Mohan was speechless, Krishnamacharya went on to say:
But in these days few people can do it. At the very least, ensure that for the rest of your life, every day, you repeat the mantra 108 times, slowly, with complete concentration.”



A few days before he died A.G. Mohan asks: what is most important in life?:
“Money is not important. Health, Longevity. A tranquil mind.”



http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=1570629773&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrA.G. Mohan studied with Krishnamacharya for almost 20 years, one on one. He has authored two books on yoga and conducts workshops.  I hear that I just missed him when I went to Mysore earlier this year as he gave a talk at the shala.  Was anyone there?  please tell me if you were.  He is also planning on conducting online workshops. You can visit his website.

What do you think of Krishnamacharya saying: “you can’t coerce a poet”?


What do you think he meant?

My favorite Yoga Books of 2010

I know it’s 2011and lots of yoga books are coming out this year, but last year was a very special one. For example it brough up some surprises as scholars started going main stream with the origins of yoga in America.  Also Richard Freeman published the sister book to his CD Series: “Yoga Matrix”, a gem.

All in all these are my favorites of the ones published last year

http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=159030800X&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr
Krishnamacharya died on February 28th, 1989.  I first realized that he was the master behind my lineage (and pretty much any lineage around these days) in the early 2000s, so as much I as I would have wished to travel and meet him, I never had a chance.

This is why a book like Krishnamacharya: His Life and Teachings by A.G.Mohan is so valuable, so precious. For more click here

http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=159030795X&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrI am eternally grateful for this book, and at the same time, if I am honest, also a bit disappointed, but in a good way.  I find that good ol’Richard has tricked me… or not.  In any event, I am grateful he did.  


see here for more








http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=B0046BBDVO&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr

Yoga 2.0: Shamanic Echoes is peculiar. It is self published, a thin book, open to the possibility of a sequel, coming from non-flashy-yogis, relying on word of mouth for distribution and a delight to read. It has very refreshing language, and takes a completely different angle from anything yoga related I have ever read.  More here






http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=0374236763&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrfound this book fascinating, especially the part where I am in the book.   …. It made me feel as much a part of the history of yoga as the author, more here










http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=0195395344&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrPerhaps the most unsettling thing about Singleton’s Yoga Body: The origins of modern posture practice, is that it narrows on the ashtanga system (chapter 9 is all about the Mysore style), it brings it under the microscope far closer than say, Iyengar (although he gets his share of discrediting too).
More here








http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=157731669X&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrThis one has December of 09 as publication in paper back, and it is one of my favorite books of all time, there are many things I like it, the philosophy, the anatomy, the poses the bits of helpful information.  Here is more on why I like it so much.










http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=1591791278&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrAnd I suppose the list would not be complete without adding Richard Freeman’s “The Yoga Matrix”.  It was not published in 2010, (its from 2003), but it is the perfect companion to the Mirror of Yoga shown above, as it has pretty much he same material but it includes the chants, and it is a pleasure to hear Richard talk.








http://rcm.amazon.com/e/cm?t=earyog08-20&o=1&p=8&l=bpl&asins=0865477493&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrTalk about a story telling marathon! Eddie Stern and Guy Donahaye did us all a service by compiling stories from practitioners of different backgrounds who spent quite a bit of time with the Guru himself.  I am still enjoying the book, one chapter at the time.   



Book Review: Krishnamacharya: His Life and Teachings, by A.G. Mohan

Krishnamacharya: His Life and TeachingsKrishnamacharya died on February 28th, 1989.

I first realized that he was the master behind my lineage (and pretty much any lineage around these days) in the early 2000s, so as much I as I would have wished to travel and meet him, I never had a chance.

This is why a book like Krishnamacharya: His Life and Teachings by A.G.Mohan is so valuable, so precious. Consider for example when Mohan attends his first lecture with him:

“… The subject of the lecture was ancient rituals, but Krishnamacharya linked the practices of yoga to the subject, I became spellbound, immersed in Kirshnamacharya’s discourse and the power of his presence, as if I were sitting at the feet of an ancient sage“.

And a sage he was.  Kirshnamacharya was, for what I gather in the book and by sheer force of the devotion of his direct students, a teachers’teacher

For example, I was impressed at how he would refuse students whom he did not consider serious.  

He used unconventional methods to test the level of truth behind the desire to learn from potential students.

For example once Mohan asked him what would he do if a wealthy student of dubious intentions came by asking for teachings. He replied he would ask for him to come back with the equivalent of, say, 5000 dollars, and if the student did bring the money, then he would return the money, content in knowing that the student was serious, and probably take him or her.

Krishnamacharya was fiercely, and one-pointedly committed to the spread of yoga.  Because before he left his own teacher, in the mountains, instead of money, his teacher asked him to go in the world and propagate yoga.

He succeeded.

I almost felt he would wink to all people out there showing fancy poses, talking about yoga, discussing through blogs, propagating (wisely), letting yoga work its way into our collective imagination.

He told Mohan, that the demonstrations he did himself (using some of his students to show very advanced poses) were for propaganda purposes.

He wanted to PROPAGATE YOGA WISELY.  In fact that is exactly the advise he gave Mohan when he was about to travel overseas to teach.

When it came to his own method of teaching he’d say: “Taking into account the structure of the body and the distortions in the body, one should do the appropriate asana.”

In his later years Krishnamacharya was all into working with the specifics of each person.

On the chapter of asana, his words about headstand are quite remarkable:

“Remember, headstand is not just an asana. It is classified as a mudra“…. “He [Krishnamacharya] felt that the rate of breathing [in headstand] should slow down to as few as two breaths per minute, for a duration of at least tenty-four breaths”


When Mohan suggested buying a tape recorder to retain his teacher’s words for posterity Krishnamacharya was actually all in favor.

This is why some of the quotes are so vivid, and this is a great asset which I, as a student rejoice in.

Mohan still has these recordings and they are available for purchase in his website (although the links do not seem to work for me at the moment),  with all proceeds going for the preservation of Vedic knowledge.

On the chapter of pranayama, kryias and yoga therapy, there is an excerpt of an interview where he discussed how he stopped his heart 

“All happened automatically… I did it by practicing pranayama, vishama vrtti, in nadishodana pranayama and meditation as well…”  

Easy does it, you see?

I almost do not want to tell more for fear of spoiling it, but let me just for a moment take you to a room where the master teacher is about to die, he is 100 years old, and Mohan asks him “What is most important in life?” he replies

Health, longevity, a tranquil mind.

I am very glad I read the book, and I think I will be re-reading it. This is one of those rare “long term keepers”

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Krishnamacharya 8 Short Stories that Show What Kind of Person He Was